Eating as Practice: Consumption Between Agency and Predictable Performance
By Irina D. Mihalache
Alan Warde. The Practice of Eating. Polity Press, 2016. 203 pp.
Mapping the “Relational Geographies of Storytelling” in Emilie Cameron’s Far Off Metal River
By Margaret Boyce
Emilie Cameron. Far Off Metal River: Inuit Lands, Settler Stories, and the Making of the Contemporary Arctic. UBC Press, 2015.
What Lives On?
By Leisa Desmoulins
Amber Dean. Remembering Vancouver’s Disappeared Women: Settler Colonialism and the Difficulty of Inheritance. University of Toronto Press, 2015. 188 pp.
The Endless Circuits of Global Music
By Richard Elliott
Ronald Radano and Tejumola Olaniyan, eds. Audible Empire: Music, Global Politics, Critique. Duke University Press, 2016. 432 pp.
Research Note: Reimagining Creative Economy through the lens of Multiple Colonialisms
By Adam Saifer
New Media, New Documentary
By Mark Terry
Kate Nash, Craig Hight and Catherine Summerhayes, eds. New Documentary Ecologies: Emerging Platforms, Practices and Discourses. Pelgrave, 2014. 266 pp.
Starting from Scratch
By Justin Wyatt
James G. Webster. The Marketplace of Attention: How Audiences Take Shape in a Digital Age. MIT Press, 2014. 268 pp.
Resistance in Post-Realist Times
By Kathleen Reeves
Eva Cherniavsky. Neocitizenship: Political Culture After Democracy. New York University Press, 2017. 232 pp.
Shamanistic Marxism: Freud, Benjamin and the Colonial Unconscious
By Sean Homer
Dušan I. Bjelić. Intoxication, Modernity & Colonialism: Freud’s Industrial Unconscious, Benjamin’s Hashish Mimesis. Palgrave Macmillan, 2016. 307 pp.
What is Forensic Aesthetics?
By Tim Kaposy
Eyal Weizman. Forensic Architecture: Notes From Fields and Forums. Hatje Cantz. 2012. 44 pp.
Eyal Weizman. Hollow Land: Israel’s Architecture of Occupation. Verso. 2012. 336 pp.
Eyal Weizman and Thomas Keenan. Mengele’s Skull: The Advent of Forensic Aesthetics. Sternberg Press. 2012. 88 pp.
Cloud Control
By Ricky d’Andrea Crano
Tung-Hui Hu. A Prehistory of the Cloud. The MIT Press, 2015. xxix, 219 pp.
Wendy Hui Kyong Chun. Updating to Remain the Same: Habitual New Media. The MIT Press, 2016. xiv, 246 pp.
The Ubiquity of Sound
By Karim Wissa
Michel Chion. Sound: An Acoulogical Treatise. Duke University Press, 2016. 300 pp.
Not Folking Around: Towards a Political-Aesthetic Economy of Folk Art
By Henry Adam Svec
Erin Morton, For Folk’s Sake: Art and Economy in Twentieth-Century Nova Scotia. McGill-Queen’s University Press, 2016. 405 pp.