The Art of Seeing Without Being Seen
By Susan Cahill
Sandra S. Phillips, ed. Exposed: Voyeurism, Surveillance, and the Camera Since 1870. San Francisco and New Haven: San Francisco Museum of Modern Art and Yale University Press, 2010. 256 pp.
The widespread viewing of previously unseen activities and spaces has become commonplace in a moment characterized by cell phone cameras, youtube videos, reality television and programmes such as Google Earth. The need to uncover and see has gained increased social importance through the elevated use of CCTVs, UAVs and airport body scanners—surveillance technologies that are legitimized as innocuous, yet essential to ensuring global security.
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“Working in the Space Between”: Understanding Collaboration in Contemporary Artistic Practice
By Sarah E. K. Smith
Grant H. Kester. The One and the Many: Contemporary Collaborative Art in a Global Context. Duke University Press, 2011. 309 pp.
Collaborative methods of practice are increasingly the norm in contemporary art. Such works prioritize process over object production and technical proficiency, as well as social engagement and community over artistic autonomy.
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The Endless Circuits of Global Music
By Richard Elliott
Ronald Radano and Tejumola Olaniyan, eds. Audible Empire: Music, Global Politics, Critique. Duke University Press, 2016. 432 pp.
The possibilities for connecting the musics of the world to assumptions about cultural identity were amplified significantly with the advent of recorded sound in the late nineteenth century, a period contemporaneous with extensive imperialist projects undertaken by Euro-American powers.
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Eat and Be Eaten: The Gastropolitics of the (Post) Colony
By Julietta Singh
Parama Roy. Alimentary Tracts: Appetites, Aversions, and the Postcolonial. Duke University Press, 2010. 277 pp.
If ever a work took seriously Jacques Derrida’s insistence that we must understand eating as an act through which we both consume and are consumed, it is Parama Roy’s remarkable new book, Alimentary Tracts.
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Can Melancholia Speak? On Maps for the Modern Subject
By Ricky Varghese
Jonathan Flatley. Affective Mapping: Melancholia and the Politics of Modernism. Harvard University Press, 2008. 272 pp.
How might we articulate a potential relationship between political subjectivity and aesthetic practice? In his compelling and incisive study, Affective Mapping: Melancholia and the Politics of Modernism, Jonathan Flatley sets out to describe precisely that tenuous and delicate interaction between politics and aesthetics, and between subjectivity and praxis.
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Deleuze and Guattari Through the Looking Glass
By Margrit Talpalaru
François Dosse. Gilles Deleuze and Félix Guattari: Intersecting Lives. Trans. Deborah Glassman. New York: Columbia University Press, 2010. 672 pp.
François Dosse’s account of the intellectual relationship between Gilles Deleuze and Félix Guattari starts from the thesis that the two played equal, albeit different, roles in the formulation of their influential works.
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Rethinking Political Practice as Continuous Insurrection
By Viren Murthy
Etienne Balibar. Equaliberty: Political Essays. Duke University Press, 2014. 365 pp.
The concepts of equality and liberty form the core of modern political culture. And yet, the definition of these terms changes depending on the qualifiers that are attached to them. For example, political theorists have long debated distinctions of positive or negative liberty, formal or real equality.
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Pity on the Offensive
By Richard Iveson
Élisabeth de Fontenay. Without Offending Humans: A Critique of Animal Rights. Trans. Will Bishop. University of Minnesota Press, 2012. 160pp.
First and foremost, Élisabeth de Fontenay is a philosopher. A philosopher, moreover, who has for decades committed herself to bettering the situation of other animals. I mention this at the outset because, while reading Without Offending Humans, not only did I find it necessary to repeatedly remind myself of this fact, but also, because de Fontenay herself would do well to recall an equal level of commitment on behalf of certain philosophers she deals with here.
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Stringing a Quartet Together: A Methodology for World Literature?
By CÓILÍN PARSONS
Peter Hitchcock. The Long Space: Transnationalism and Postcolonial Form. Stanford University Press, 2010. 295 pp.
Postcolonial writers, it seems, can’t put a good book down—especially when they are writing it themselves. Trilogies, tetralogies and novels in series are features of postcolonial writing from the Caribbean to Indonesia, and Peter Hitchcock sets out in The Long Space to ask why this is.
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In The Meantime Without End
By Adam Broinowski
Eric Cazdyn. The Already Dead: The New Time of Politics, Culture, and Illness. Duke University Press, 2012. 230 pp.
The Already Dead comes at a critical moment in which the vulgarities of the global capitalist system have become increasingly difficult to conceal. The book’s approach, at once theoretical and personal, historical and cultural, seeks new modes of revolutionary consciousness that can destabilize both within and without the capitalist system so as to reconfigure everything.
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Literature and Labor under Neoliberalism
By Walter Oliver Baker
Sarah Brouillette. Literature and the Creative Economy. Stanford University Press, 2014. 238 pp.
What is the difference between the worker and the artist under capitalism? Historically, the two can be distinguished by object of their labor: the artist works for the sake of work itself, a disinterested labor whose autonomy gives rise to creativity and self-expression, whereas the worker, compelled by the necessity, works for a wage whose function is merely to sustain and thus reproduce the worker’s life.
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Intersectionality Matters
By Melissa Haynes
Mel Y. Chen. Animacies: Biopolitics, Racial Mattering, and Queer Affect. Duke University Press, 2012. 312 pp.
The title of Mel Y. Chen’s Animacies: Biopolitics, Racial Mattering, and Queer Affect immediately announces to readers that this is not a book that can be easily disciplined. “Animacies,” for readers who are unfamiliar with the term, might sound like a portmanteau of “animal” and “intimacies.” The rest of the title evokes a compendium of areas of inquiry, namely biopolitics, critical race theory, new materialism, queer studies, and affect theory.
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The Trials of Translation: Psychoanalysis and Islam
By Alessandra Capperdoni
Fethi Benslama. Psychoanalysis and the Challenge of Islam. Trans. Robert Bononno. University of Minnesota Press, 2009. 272 pp.
Robert Bononno’s English translation of Fethi Benslama’s La psychoanalyse à l’épreuve de Islam is a welcome contribution to debates about the role of religion in the contemporary world at a time when divisions and polarizations occupy a central stage in public rhetoric.
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On the Uncertain Status of Text in the Digital Age: A Comparative Approach
By Marco Deseriis
N. Katherine Hayles and Jessica Pressman, Comparative Textual Media: Transforming the Humanities in the Postprint Era. University of Minnesota Press, 2013. 331 pp.
While comparative research is by no means new to the humanities and the social sciences, the field of media studies has been relatively untouched by explicitly comparative approaches. To be sure, influential strands of media studies such as the Toronto school of communication and the emerging field of media archeology are comparative in character.
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Low Theory
By Matt Applegate
McKenzie Wark. Telesthesia: Communication, Culture, and Class. Polity Press, 2012. 241 pp.
Occupy Wall Street (OWS) is the new and enduring object of political and intellectual inquiry for the Left in the United States. Indeed, like the 1999 Seattle WTO protests before it, OWS is perhaps more momentous, more impactful, or even more ‘revolutionary’ in its after-effects and in its memorialization than it was in the time and space of its production.
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The Future of Anti-racist Feminism In Canada
By Ashley Dryburgh
Sherene Razack, Malinda Smith, and Sunera Thobani, eds. States of Race: Critical Race Feminism for the 21st Century. Between the Lines, 2010. 248 pp.
Despite its forwarding-leaning title, States of Race: Critical Race Feminism for the 21st Century is as much about the past as it is about the future. The collection opens by looking backward, with an eight page preface detailing the history of critical race feminism in Canada over the past decade.
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Women in Academia: How (re)Discovering Feminisms Can Empower You
By Jennifer Burwell
Brown, Susan, Jeanne Perreault, Jo-Ann Wallace, and Heather Zwicker, eds. Not Drowning But Waving: Women, Feminism, and the Liberal Arts. University of Alberta Press, 2011. 472 pages.
Not Drowning But Waving offers twenty-two feminist essays focusing on the complex relationships between women academics and the liberal arts. Separated into three sections – “Not Drowning/Waving,” “History/Temporality/Generations,” and “Activism” – the anthology gathers together a broad range of topics, including the relationship of liberal arts to academic institutions, the many pressures that women in academia face in their attempts to balance personal life with professional duties and aspirations, the costs and opportunities for women academics who hold administrative positions, and the relation of feminism to the liberal arts.
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The Problem of Religious Difference
By Alan R. Van Wyk
Martha Nussbaum. The New Religious Intolerance: Overcoming the Politics of Fear in an Anxious Age. The Belknap Press of Harvard University Press, 2012. 285 pp.
Religion has become a problem. Or rather, religion has been made a problem. Reduced to being a maker of meaning and marker of identity, it has become a maker and marker of difference, a difference that, in the North Atlantic world, against a normative Christianity, is often the difference of Islam.
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It’s The End of The World as They Know It, and They Feel Fine
By Michael Truscello
The Invisible Committee. The Coming Insurrection. Semiotext(e), 2009.
In their astute history of the anarchist tradition, Michael Schmidt and Lucien van der Walt suggest that anarchists generally practice one of two broad strategies: insurrectionist anarchism or mass anarchism. The insurrectionist tradition "argues that reforms are illusory and organized mass movements are incompatible with anarchism, and emphasizes armed action—propaganda by the deed—against the ruling class and its institutions as the primary means of evoking a spontaneous revolutionary upsurge" (123).
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No Local: Globalization and the Remaking of Americanism
By Benjamin Balthaser
Sarika Chandra. Dislocalism: The Crisis of Globalization and the Remobilizing of Americanism. Ohio State University Press. 2011. 303pp.
In the final section of Capital, Marx makes a striking observation: despite destroying the land-holding peasantry, the birth of manufacturing in England did not wipe out the small, disconnected villages of rural England, but rather refashioned them in capital’s image, as sites of subsidiary resource production, even poorer and more marginal than they had been before (Marx 918).
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Identifying Universal Particularities
By David Lawrimore
John Michael. Identity and the Failure of America: From Thomas Jefferson to the War on Terror. University of Minnesota Press, 2008. 320 pp.
At its heart, John Michael’s Identity and the Failure of America: From Thomas Jefferson to the War on Terror is about the conflict between a national identity that promises justice to all and the various identities that have experienced America’s failure to make good on that promise.
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The Measures Taken
By Hunter Bivens
Benjamin Robinson. The Skin of the System: On Germany’s Socialist Modernity. Stanford University Press, 2009.
Twenty years after the opening of the Berlin Wall, a number of important thinkers (one thinks here, in differing registers, of Alain Badiou, Boris Groys, or Susan Buck-Morss’s 2000 Dreamworld and Catastrophe) have been reconsidering what to make of the twentieth century’s experience of really existing socialism.
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The Ubiquity of Sound
By Karim Wissa
Michel Chion. Sound: An Acoulogical Treatise. Duke University Press, 2016. 300 pp.
First published in French in 1998, Sound, An Acoulogical Treatise is a broad collection of essays that appears oddly disjointed, traversing disparate disciplinary polemics and philosophical dilemmas, while introducing a dizzying series of new concepts in each chapter.
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Race and Citizenship in Postwar America
By Michael Mayne
Joseph Keith. Unbecoming Americans: Writing Race and Nation from the Shadows of Citizenship, 1945-1960. Rutgers University Press, 2013. 239pp.
On June 25, 2013, the Supreme Court ruled in Shelby v. Holder that the most important Section (Section 4b) of the 1965 Voting Rights Act (VRA) was unconstitutional. The majority decision, written by John Roberts, was filled with references to progress: “50 years later, things have changed dramatically”; “history did not end in 1965”; “history since 1965 cannot be ignored”; “our Nation has made great strides” (17, 24, 4, 20).
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No Faith in Form
By Kris Cohen
Claire Bishop. Artificial Hells: Participatory Art and the Politics of Spectatorship. Verso, 2012. 388 pp.
…a form: no matter what the philosophical postulates called upon to justify it, as practice and as a conceptual operation it always involves the jumping of a spark between two poles, the coming in to contact of two unequal terms, of two apparently unrelated modes of being.
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Critical Practice as Desire
By Elizabeth Groeneveld
Robyn Wiegman. Object Lessons. Duke University Press, 2012. 398 pp.
Robyn Wiegman’s Object Lessons is an extended meditation on the disciplinary frameworks, concepts, and narratives that have shaped the field imaginaries of identity-based studies, focusing primarily on how these have developed within the context of the U.S.
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Mapping the “Relational Geographies of Storytelling” in Emilie Cameron’s Far Off Metal River
By Margaret Boyce
Emilie Cameron. Far Off Metal River: Inuit Lands, Settler Stories, and the Making of the Contemporary Arctic. UBC Press, 2015.
I was attending an undergraduate survey of Canadian History when I first encountered the 1771 story of Samuel Hearne watching in horror as his Dene companions slaughtered a group of Inuit in the Central Arctic.
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Deconstructing the “Middle Class”; Constructing its Transnational History
By Mehita Iqani
A. Ricardo Lopez and Barbara Weinstein (eds.) The Making of the Middle Class: Toward a Transnational History. Duke University Press, 2012. 446pp.
The Making of the Middle Class is an edited collection that spans an impressive—almost intimidating—amount of material. Featuring chapters and commentaries by 21 writers, it provides a collection of historical analyses of the formation of the middle class in a variety of historical moments and geographical contexts, offering the resources through which a detailed and global picture of its formation can emerge.
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The Meaning of Christ and the Meaning of Hegel: Slavoj Žižek and John Milbank’s (A)symmetrical Response to Capitalist Nihilism
By Mitchell M. Harris
Slavoj Žižek and John Milbank. The Monstrosity of Christ: Paradox or Dialectic? Ed. Creston Davis. MIT Press, 2009. 320 pp.
In The Monstrosity of Christ, Creston Davis, the book’s relatively unnoticed editor, brings together an unconventional pair of contemporary thinkers: the Hegelian, Lacanian, Marxist materialist philosopher Slavoj Žižek and his orthodox, Western Catholic theologian counterpart, John Milbank.
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On Pinking the Commons
By Carolyn Sale
Caren Irr. Pink Pirates: Contemporary American Women Writers and Copyright. University of Iowa Press, 2010. 214 pp.
Straddling a quarter-century between Ursula Le Guin’s The Dispossessed (1974) and Leslie Marmon Silko’s Gardens in the Dunes (1999), Caren Irr’s Pink Pirates: Contemporary American Women Writers and Copyright (2010) has an exciting premise: it proposes to read the work of four novelists — Le Guin, Silko, Kathy Acker, and Andrea K.
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