Realism After Postmodernism

By Sean Homer

Fredric Jameson. The Antinomies of Realism. Verso, 2013. 313 pp.

In his 1977 “Afterword” to the volume Aesthetics and Politics, Jameson observed that it was not only political history that was condemned to repeat the past but also literary history that experienced a certain “return of the repressed”:

Nowhere has this return of the repressed been more dramatic than in the aesthetic conflict between “Realism” and “Modernism”, whose navigation and renegotiation is still unavoidable for us today, even though we may feel that each position is in some sense right and yet neither is any longer wholly acceptable.
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Architecture’s Struggle with Authorship

By Matthew Allen

Mario Carpo. The Alphabet and the Algorithm. MIT Press, 2011. 169pp.

Mario Carpo’s The Alphabet and the Algorithm presents a concise and compelling account of the rise and fall of what he calls the “modern paradigm” of architectural practice from its emergence in the authorial obsession of Alberti to its obsolescence following the “digital turn” of the 1990s.
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Ruin Gazing with History’s Angels

By Carrie Smith-Prei

Julia Hell and Andreas Schönle, eds. Ruins of Modernity. Duke University Press, 2010. 528 pp.

The impressively expansive volume Ruins of Modernity, published in the Politics, History and Culture series of Duke University Press, takes an innovative approach to the modern condition through ruins. The introduction sets out the theoretical, temporal and spatial parameters from which the volume’s twenty-four masterful essays, written by major scholars representing a broad range of fields, view their ultimately diverse subject by interweaving the two complex terms of the volume’s compact title.
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Modernism’s Lost Causes

By Evan Mauro

Seth Moglen. Mourning Modernity: Literary Modernism and the Injuries of American Capitalism. Stanford University Press, 2007.

On its face a study of American literary modernism, Seth Moglen's Mourning Modernity opens onto an urgent question: how to remember and use histories of political radicalism. Moglen's book reanimates a turning point for American revolutionary movements in the 1920s and 1930s, tying that era's comprehensive state repression of the left into the development of a distinctly melancholic modernist sensibility.
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