Eating as Practice: Consumption Between Agency and Predictable Performance
By Irina D. Mihalache
Alan Warde. The Practice of Eating. Polity Press, 2016. 203 pp.
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Mapping the “Relational Geographies of Storytelling” in Emilie Cameron’s Far Off Metal River
By Margaret Boyce
Emilie Cameron. Far Off Metal River: Inuit Lands, Settler Stories, and the Making of the Contemporary Arctic. UBC Press, 2015.
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What Lives On?
By Leisa Desmoulins
Amber Dean. Remembering Vancouver’s Disappeared Women: Settler Colonialism and the Difficulty of Inheritance. University of Toronto Press, 2015. 188 pp.
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The Endless Circuits of Global Music
By Richard Elliott
Ronald Radano and Tejumola Olaniyan, eds. Audible Empire: Music, Global Politics, Critique. Duke University Press, 2016. 432 pp.
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Research Note: Reimagining Creative Economy through the lens of Multiple Colonialisms
By Adam Saifer
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New Media, New Documentary
By Mark Terry
Kate Nash, Craig Hight and Catherine Summerhayes, eds. New Documentary Ecologies: Emerging Platforms, Practices and Discourses. Pelgrave, 2014. 266 pp.
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Starting from Scratch
By Justin Wyatt
James G. Webster. The Marketplace of Attention: How Audiences Take Shape in a Digital Age. MIT Press, 2014. 268 pp.
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Resistance in Post-Realist Times
By Kathleen Reeves
Eva Cherniavsky. Neocitizenship: Political Culture After Democracy. New York University Press, 2017. 232 pp.
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Shamanistic Marxism: Freud, Benjamin and the Colonial Unconscious
By Sean Homer
Dušan I. Bjelić. Intoxication, Modernity & Colonialism: Freud’s Industrial Unconscious, Benjamin’s Hashish Mimesis. Palgrave Macmillan, 2016. 307 pp.
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What is Forensic Aesthetics?
By Tim Kaposy
Eyal Weizman. Forensic Architecture: Notes From Fields and Forums. Hatje Cantz. 2012. 44 pp.
Eyal Weizman. Hollow Land: Israel’s Architecture of Occupation. Verso. 2012. 336 pp.
Eyal Weizman and Thomas Keenan. Mengele’s Skull: The Advent of Forensic Aesthetics. Sternberg Press. 2012. 88 pp.
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Cloud Control
By Ricky d’Andrea Crano
Tung-Hui Hu. A Prehistory of the Cloud. The MIT Press, 2015. xxix, 219 pp.
Wendy Hui Kyong Chun. Updating to Remain the Same: Habitual New Media. The MIT Press, 2016. xiv, 246 pp.
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The Ubiquity of Sound
By Karim Wissa
Michel Chion. Sound: An Acoulogical Treatise. Duke University Press, 2016. 300 pp.
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Not Folking Around: Towards a Political-Aesthetic Economy of Folk Art
By Henry Adam Svec
Erin Morton, For Folk’s Sake: Art and Economy in Twentieth-Century Nova Scotia. McGill-Queen’s University Press, 2016. 405 pp.
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