By Sarah E. K. Smith
Grant H. Kester. The One and the Many: Contemporary Collaborative Art in a Global Context. Duke University Press, 2011. 309 pp.
Collaborative methods of practice are increasingly the norm in contemporary art. Such works prioritize process over object production and technical proficiency, as well as social engagement and community over artistic autonomy.
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By Mathias Nilges
Enrique Dussel. Twenty Theses on Politics. Duke University Press, 2008. 184 pp.
At the center of Enrique Dussel’s Twenty Theses on Politics stand a series of basic yet monumental questions. What is power? What is politics? Can power be held? Can it be taken?
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By Michael Truscello
The Invisible Committee. The Coming Insurrection. Semiotext(e), 2009.
In their astute history of the anarchist tradition, Michael Schmidt and Lucien van der Walt suggest that anarchists generally practice one of two broad strategies: insurrectionist anarchism or mass anarchism. The insurrectionist tradition "argues that reforms are illusory and organized mass movements are incompatible with anarchism, and emphasizes armed action—propaganda by the deed—against the ruling class and its institutions as the primary means of evoking a spontaneous revolutionary upsurge" (123).
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