Not Folking Around: Towards a Political-Aesthetic Economy of Folk Art

By Henry Adam Svec

Erin Morton, For Folk’s Sake: Art and Economy in Twentieth-Century Nova Scotia. McGill-Queen’s University Press, 2016. 405 pp.

Aislie Walsh’s recent biopic Maudie (2017) charts the rough life of Maud Lewis, the self-taught artist whose idyllic, brightly coloured paintings of daily existence in rural Nova Scotia garnered both national and international acclaim, which has only grown since her death in 1970.
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