A Latent History of Everything: Hillel Schwartz’s “Reverb: Notes”

By John Melillo

Hillel Schwartz. “Reverb: Notes,” the endnotes to Making Noise: From the Big Bang to Babel and Beyond. Zone Books, 2011. 349 pp.

Hillel Schwartz’s 2011 history of noise, Making Noise: From Babel to the Big Bang and Beyond, offers—through more than 900 pages of sonorous, often punning prose—nothing less than what the titles of its three main “rounds” suggest: a history of sound “everywhere,” “everywhen/everyone” and “everyhow.” In this review, however, I will examine the book’s 349 pages of endnotes, entitled “Reverb: Notes,” that, because of printing costs, could not be included with the published text.
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Spectral Places, Subjectivities and Politics

By Juliana Martínez

María del Pilar Blanco and Esther Peeren, eds. The Spectralities Reader: Ghosts and Haunting in Contemporary Cultural Theory. Bloomsbury, 2013. 569 pp.

With an all-star Table of Contents that includes Giorgio Agamben, Arjun Appadurai, Ulrich Baer, Jacques Derrida, and Gayatri Chakravorty Spivak, among others, The Spectralities Reader compiles the founding texts of what the editors call the “spectral turn,” as well as the more salient critiques that have fuelled one of the more productive debates in the humanities, the social sciences, and the arts over the last twenty-five years.
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Under the Hood of Wolfgang Ernst’s Media Archaeology

By Liam Young

Wolfgang Ernst. Digital Memory and the Archive. Jussi Parikka, ed. University of Minnesota Press, 2013. 265 pp.

The allure of the archive as a concept, space, form, and metaphor has proven irresistible for continentally inflected media and cultural studies over the last two decades. The “archive fever” diagnosed by Derrida in 1995 has only become more acute as the ever-accelerating digitization of culture, memory, and history has fundamentally reconfigured archives, both real and imaginary.
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Enlightenment Interrupted

By Alison Shonkwiler

Marie-Hélène Huet, The Culture of Disaster. University of Chicago Press, 2012. 256 pp.

“Our culture thinks through disasters” (2), writes Marie-Helene Huet in The Culture of Disaster. Building an argument that catastrophes have shaped the imagination of modernity, Huet’s book examines new modes of conceptualizing disaster and human power in the late 18th century and 19th centuries.
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Research Note: The Resources of Culture

By Graeme Macdonald

“I should have thought of it before, it’s too late now.”

Italo Calvino, The Petrol Pump

The opening sentence of Italo Calvino’s 1974 story “The Petrol Pump” expresses a regret wearily familiar to 21st century energy-angst.
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Hegelian Untimeliness, or the Experience of the Impossibility of Experience

By Julian Jason Haladyn

Rebecca Comay. Mourning Sickness: Hegel and the French Revolution. Stanford University Press [Cultural Memory in the Present Series], 2010. 224 pp.

Mourning Sickness: Hegel and the French Revolution begins with the question of the cultural disenchantment facing Germany in the aftermath of the French Revolution, an historical condition that, following Marx and Engels, came to be called the “German misery.” This disenchanted position results from the awkward acknowledgment that “Germany’s experience of modernity is a missed experience,” the trauma of which Rebecca Comay uses as a category of history, with the “German misery” being an exemplary model of her approach and Hegel representing “its most lucid theorist” (3-4).
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Psycho-History

By Theo Finigan

Joan Wallach Scott. The Fantasy of Feminist History. Duke University Press, 2011. 187pp.

In The Fantasy of Feminist History an eminent cultural and gender historian interrogates some of the basic methodological and epistemological assumptions that constitute her discipline. While affirming history’s continued intellectual relevance—it is historians who, crucially, “introduce the difference of time” into interdisciplinary theoretical discourse, for instance (42)—Joan Wallach
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Deconstructing the “Middle Class”; Constructing its Transnational History

By Mehita Iqani

A. Ricardo Lopez and Barbara Weinstein (eds.) The Making of the Middle Class: Toward a Transnational History. Duke University Press, 2012. 446pp.

The Making of the Middle Class is an edited collection that spans an impressive—almost intimidating—amount of material. Featuring chapters and commentaries by 21 writers, it provides a collection of historical analyses of the formation of the middle class in a variety of historical moments and geographical contexts, offering the resources through which a detailed and global picture of its formation can emerge.
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The Politics and Erotics of Time

By Amber Jamilla Musser

Elizabeth Freeman. Time Binds: Queer Temporalities, Queer Histories. Duke University Press, 2010. 256 pp.

What does it mean to take pleasure in or to have fantasies about “rubbing up against the past” (xii)? Elizabeth Freeman’s Time Binds: Queer Temporalities, Queer Histories weaves together affect studies, critical historiography and politics to nuance our understanding of queer time.
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Ruin Gazing with History’s Angels

By Carrie Smith-Prei

Julia Hell and Andreas Schönle, eds. Ruins of Modernity. Duke University Press, 2010. 528 pp.

The impressively expansive volume Ruins of Modernity, published in the Politics, History and Culture series of Duke University Press, takes an innovative approach to the modern condition through ruins. The introduction sets out the theoretical, temporal and spatial parameters from which the volume’s twenty-four masterful essays, written by major scholars representing a broad range of fields, view their ultimately diverse subject by interweaving the two complex terms of the volume’s compact title.
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