Hillel Schwartz’s 2011 history of noise, Making Noise: From Babel to the Big Bang and Beyond, offers—through more than 900 pages of sonorous, often punning prose—nothing less than what the titles of its three main “rounds” suggest: a history of sound “everywhere,” “everywhen/everyone” and “everyhow.” In this review, however, I will examine the book’s 349 pages of endnotes, entitled “Reverb: Notes,” that, because of printing costs, could not be included with the published text.
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A Latent History of Everything: Hillel Schwartz’s “Reverb: Notes”
By John Melillo
Hillel Schwartz. “Reverb: Notes,” the endnotes to Making Noise: From the Big Bang to Babel and Beyond. Zone Books, 2011. 349 pp.