Precarious labour

Cloud Control

By Ricky d’Andrea Crano

Tung-Hui Hu. A Prehistory of the Cloud. The MIT Press, 2015. xxix, 219 pp.

Wendy Hui Kyong Chun. Updating to Remain the Same: Habitual New Media. The MIT Press, 2016. xiv, 246 pp.

What do Pony Express stations, Victorian sewers, World War II bunkers, interstate highway truck stops, and the post-9/11 CIA practice of extraordinary rendition all have in common? As Tung-Hui Hu demonstrates in his debut scholarly monograph, they each prefigure and in one way or another sculpt our current conceptions of digitally networked computing.
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The False Freedom of Rock Stardom

By Sarah Brouillette

Matt Stahl. Unfree Masters: Recording Artists and the Politics of Work. Duke University Press, 2012. 296 pp.

Academic and policy studies of creative labour have tended to suggest that creative work is unique and desirable because it is more autonomous than regular employment, meaning that it is more self-directed, expressive, and self-actualizing, and also more authentically separable from employers’ prerogatives.
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