What does it mean to return to the question of authorship in a seemingly “post-everything” theoretical context? Patrick Greaney’s recent book Quotational Practices: Repeating the Future in Contemporary Art (2014) responds to this question by analyzing the historical and critical function of quotation in modern and contemporary art.
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Quotation as Critical Practice
By Adam Barbu
Patrick Greaney. Quotational Practices: Repeating the Future in Contemporary Art. University of Minnesota Press, 2014. 224 pp.