The possibilities for connecting the musics of the world to assumptions about cultural identity were amplified significantly with the advent of recorded sound in the late nineteenth century, a period contemporaneous with extensive imperialist projects undertaken by Euro-American powers.
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The Endless Circuits of Global Music
By Richard Elliott
Ronald Radano and Tejumola Olaniyan, eds. Audible Empire: Music, Global Politics, Critique. Duke University Press, 2016. 432 pp.