World Literature

Inscribing Inequality Beyond Colonialism

By Senayon Olaoluwa

Warwick Research Collective. Combined and Uneven Development: Towards a New Theory of World-Literature. Liverpool University Press, 205. 196 pp.

The book, Combined and Uneven Development: Towards a New Theory of World-Literature is yet another effort in seminal literary scholarship. It aims to assess the state of literature as a distinct discipline and make projections about its likely value in the future as that which consciously addresses itself to the predominant dynamics of the “world-system” anchored by the dictates of capital, especially in the past 200 years.
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Realism After Postmodernism

By Sean Homer

Fredric Jameson. The Antinomies of Realism. Verso, 2013. 313 pp.

In his 1977 “Afterword” to the volume Aesthetics and Politics, Jameson observed that it was not only political history that was condemned to repeat the past but also literary history that experienced a certain “return of the repressed”:

Nowhere has this return of the repressed been more dramatic than in the aesthetic conflict between “Realism” and “Modernism”, whose navigation and renegotiation is still unavoidable for us today, even though we may feel that each position is in some sense right and yet neither is any longer wholly acceptable.
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Indigenizing Across Boundaries

By Aubrey Hanson

Chadwick Allen. Trans-Indigenous: Methodologies for Global Native Literary Studies. University of Minnesota Press, 2012. xxxiv + 302 pp.

Chadwick Allen’s Trans-Indigenous: Methodologies for Global Native Literary Studies is an exciting new book. Trans-Indigenous earns itself a noteworthy place within the growing body of work on Indigenous approaches to research and cultural studies.
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Stringing a Quartet Together: A Methodology for World Literature?

By CÓILÍN PARSONS

Peter Hitchcock. The Long Space: Transnationalism and Postcolonial Form. Stanford University Press, 2010. 295 pp.

Postcolonial writers, it seems, can’t put a good book down—especially when they are writing it themselves. Trilogies, tetralogies and novels in series are features of postcolonial writing from the Caribbean to Indonesia, and Peter Hitchcock sets out in The Long Space to ask why this is.
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