
Jonathan Sterne. MP3: The Meaning of a Format. Duke University Press, 2012. 341 pp.
Lisa Nakamura and Peter A. Chow-White, eds. Race After the Internet. Routledge, 2012. 343 pp.
Yomi Braester. Painting the City Red: Chinese Cinema and the Urban Contract. Duke University Press, 2010. 405 pp.
Robin Visser. Cities Surround the Countryside: Urban Aesthetics in Postsocialist China. Duke University Press, 2010. 362 pp.
Charles R. Acland. Swift Viewing: The Popular Life of Subliminal Influence. Duke University Press, 2011. 307 pp.
Jodi Dean. Blog Theory: Feedback and Capture in the Circuits of Drive. Polity, 2010. 140 pp.
Paul A. Taylor. Žižek and the Media. Polity, 2011. 192 pp.
Fabio Vighi. Sexual Difference in European Cinema: The Curse of Enjoyment. Palgrave Macmillan, 2009. 256 pp.
Simon During. Exit Capitalism: Literary Culture, Theory, and Post-Secular Modernity. Routledge, 2010. 280 pp.
Richard Grusin. Premediation: Affect and Mediality in America after 9/11. Palgrave Macmillan, 2010. 208 pp.
Sally Chivers. The Silvering Screen: Old Age and Disability in Cinema. University of Toronto Press, 2011. 213 pp.
Ted Striphas. The Late Age of Print: Everyday Book Culture from Consumerism to Control. Columbia University Press, 2009. 272 pp.
Melissa Aronczyk and Devon Powers, eds. Blowing Up the Brand: Critical Perspectives on Promotional Culture. Peter Lang, 2010. 339 pp.
Nick Dyer-Witheford and Greig de Peuter. Games of Empire: Global Capitalism and Video Games. University of Minnesota Press, 2009.
Davin Heckman. A Small World: Smart Houses and the Dream of the Perfect Day. Duke University Press, 2008.